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RHONDA ROLAND SHEARER
rrs@asrlab.org
Partial Update: Nov 6 2009
< Back

(Click each image to enlarge or to view video)

1970's
Early 1980's
Mid 1980's
Late 1980's
Early 1990's
Early 1990's
1994 - Now
Commissions
Wildenstein Gallery, London, 1987
Wildenstein Gallery, NYC,
1989
Wildenstein Gallery, NYC, 1990
Installation, 23rd st. NYC.
Traveling Museum Exhibition
S.O.V. (Subject, Object, Voyeur)

 

Born: 1954
Aurora, Illinois

 
APPOINTMENTS  
2010 Adjunct lecturer - School of Journalism and Mass Communication at The University of Iowa
2005-Present Developer, Co-PI, NASA’s Astrobiology Magazine, (Astrobio.net)
1996 to Present Director, Art Science Research Laboratory, New York City, 501 ©(3) (Co-Founded with Stephen Jay Gould); Publisher of media ethics online journal, StinkyJournalism.org (listed among top 20 news media watchdogs according to Alexa ranking)

2003

Founder of Lessee Rights Association (LesseeRights.org)
2002-2005 Director, WTC Living History Project New York, NY Executive Committee, International Civil Protection Project,, New York, NY
1997-2004 Software Inventor, CyberBook+ System,.”  (pioneering “cloud” and social networking/content managing system)
Founder: Tout-Fait: The Marcel Duchamp Studies Online Journal (Toutfait.com) (1998), Marcel Duchamp Online World Community (MarcelDuchamp.net) (1998); Sept 11 2001 History Magazine (2004); CyberBook+ Press (1999-2004), Stephen Jay Gould Archive (SJGould.org) (2001), The Piet Mondrian Archive (PietMondrian.org) (2004)
Sept. 2001-July 2002 Director, WTC Ground Zero Relief Project, New York, NY
1998-2000  Associate of the Harvard University Department of Psychology
1998-1999   Organizer of the Harvard University Symposium “Methods Of Understanding In Art And Science: The Case Of Duchamp And Poincaré.”  Sponsored by the Harvard Departments of the History of Art and Architecture and the History of Science, November 5-7, 1999

 

SOLO ARTIST EXHIBITIONS

2004 History is the Art Series: StinkyJournalism.org and JournalistConfessional.org
1998-2003 S.O.V. (Subject, Object, Voyeur), Spring Street Studio Installation, Soho, New York
1998  Architectural Proposal for The Paul Mellon 21st Century Exhibition And Study Room For Marcel Duchamp Studies, video animations at www.artscienceresearchlab.org and www.marcelduchamp.net.
1997 Casa Italiana Zerilli-Marinò, New York University, New York, NY
1996 Shapes Of Nature, 10 Years Of Bronze Sculptures, The New York       
Botanical Garden, New York, NY
1994

Knoxville Museum of Art, Knoxville, TN
Woman's Work, Billboard Installations, Knoxville, TN
Gibbes Museum of Art, Charleston, SC
Woman's Work, Billboard Installations, Charleston,  SC
Jacksonville Art Museum, Jacksonville, FL
Pangea, Installation, Knoxville Museum of Art, Knoxville, TN

1993-1994

Why Isn't Housework Glamorous? (35mm) Public Service Announcement created by artist and broadcast in Nashville, Philadelphia, Jacksonville, Charleston, and Knoxville television stations.

1992

Rutgers University Cooperative Extension, East Rutherford, NJ
Phillips Exeter Academy Installation, The Lamont Gallery, Exeter, NH

1991 Pangea, Public Art Installation, Los Angeles, CA
1990

Ambiguous Figures, New Bronze Works, Wildenstein Gallery, New York, NY
Feingarten Gallery, Los Angeles, CA
American Association for the Advancement of Science, Washington, DC
United States Botanic Garden Conservatory, Washington, DC
Pangea, Public Art Installation, New York, NY

1989 Bronzes: Chaos, New Science, New Art, Wildenstein Gallery, New York, NY
1987 Still Lifes in Bronze, Wildenstein Gallery, London

 

SELECTED GROUP EXHIBITIONS

2000 Of Beauty And Consolation, Stedelijk Museum, Amterdam
1997

Please Touch: An Exhibition Of Tactile Art, The Lighthouse Inc., New York, NY
Creating Women, Lancaster Museum of Art, Lancaster, PA

1996

Close To Home, Lehman College Art Gallery, Bronx, NY
Vous Avez Dit Fractal,Musée municipal, Uzes, France
Vous Avez Dit Fractal,Médiathèque, Uzes, France
Vous Avez Dit Fractal, Librairie-galerie Le Parefeuille, Uzes, France
Vous Avez Dit Fractal, Enclos de la Source, Uzes, France
Microcosmos, University of Georgia, Athens, GA

1995

La Complexité Fractale Dans l'Art, Galleria Arx, Turin, Italy
Art Of Science And Technology: 10th Anniversary Exhibition, American Association for the Advancement of Science, Washington, DC
La Complexité Fractale Dans l'Art, Angle Art Contemporain, St.-Paul-Trois-Chataeux, Valance, France
In Three Dimensions: Women Sculptors Of The 90's,Snug Harbor Cultural Center, Staten Island, NY The Inaugural Exhibit, The American Center for Physics, College Park, MD

1994 Women's Work, Gallery Contemporanea, Jacksonville, FL
Bioinformatica, The X-Art Foundation, Sandra Gering Callery, NY
1993

Unity And Diversity: Chaos Theory In Women's Sculpture, American Association for the Advancement of Science, Washington, DC
Greetings From Florida, Helander Gallery, Palm Beach, FL
Earth Day, New York University, New York, NY

1992

Sculpture Tour '92, The University of Tennessee, Knoxville, TN
New Work, New York, Helander Gallery, Palm Beach, FL
Trace Elements, Phyllis Weil Gallery, New York, NY
Death And Taxes, Shidoni Contemporary/Bronze Gallery, Tesuque, NM
Art In The Scale Of Being, Gaia Institute, Cathedral of St. John the Divine, New York, NY

1991 Art About Function, Washington Square Art Program, Washington, DC
1990

Dia De Los Muertos III: Homelessness, Alternative Museum, New York, NY
Looking At Plants Through The Artist's Eye: A Group Show, Brooklyn Botanical Gardens, New York, NY

1989 Nature: Reassembled, Newton Art Center, Boston, MA
1988 New Space, New York, New York, Helander Gallery, Palm Beach, FL

 

FORTHCOMING PUBLICATIONS BY SHEARER

IN PREPARATION
With Richard Brandt, Stephen Jay Gould, Leo Shang. Marcel Duchamp's Mona Lisa Shaved. 2004
With Gregory Alvarez, "3D Modeling and Animation to See Apolinére Enameled with the Mind." Tout-Fait: The Marcel Duchamp Studies Online Journal 2, no. 5 (April 2004): Multimedia.
With Richard Brandt. Marcel Duchamp's Axiomatic Geometry: From Mona Lisa's Mustache to Large Glass Mechanism.
With Thomas Girst, Yaling Chen, eds. Harvard Symposium Proceedings; Methods Of Understanding In Art And Science: The Case Of Duchamp And Poincaré. CyberBook+ Press 2004-2005.

With Thomas Girst and Yaling Chen, et al. Given In Time: Marcel Duchamp's 1. The Waterfall 2. The Illuminating Gas Chronology. CyberBook+ Press 2003-4.

Experience 4-D Space. . . What The Heck Is The 4th Dimension Anyway?  CyberBook+ Press.

The Flatland Hypothesis: A New Look At Revolutions In Art And Science.   New York: Copernicus, Springer-Verlag.  

Posthumous Shock: Marcel Duchamp’s Readymades Are Custom Made (and other surprises from the grave).           

 

SELECTED PUBLICATIONS BY SHEARER (See also Catalogues)

With Michael Kigl, Kritoe Keleba, Jeffrey Elap.  “Jared Diamond’s Factual Collapse: New Yorker Mag’s Papua New Guinea Revenge Tale Untrue’Tribal Members Angry, Want Justice” StinkyJournalism.org (April 21, 2009) <http://www.stinkyjournalism.org/latest-journalism-news-updates-149.php>

“CBS Greg Gumbel’s Technical Foul: Exclusive: "It wasn’t supposed to be an infomercial," says Gumbel’s agent” StinkyJournalism.org (March 30, 2009) <http://www.stinkyjournalism.org/latest-journalism-news-updates-148.php>

“ABC News’ Exploitation of Medical Conditions? The Dark Side of "News" as Entertainment” StinkyJournalism.org (March 10, 2009) <http://www.stinkyjournalism.org/latest-journalism-news-updates-146.php>

“Hurtful & Unfair Pilot Blame Game? False suggestions of error continue to dominate Continental Flight 3407 crash news” StinkyJournalism.org (February 20, 2009)  <http://www.stinkyjournalism.org/latest-journalism-news-updates-145.php>

With Danielle Elliot. “Part I: The Unspoken Peril for "Citizen Journalists" Surprise! You Owe the IRS Some Gift Tax!” StinkyJournalism.org (January 13, 2009)  <http://www.stinkyjournalism.org/latest-journalism-news-updates-142.php>

“Alabama’s Monster Pig Hoax, one year later: Consequences of infamous youth pig kill still being played out” ESPNOutdoors.com (May 03, 2008) <http://www.stinkyjournalism.org/latest-journalism-news-updates-129.php>
 
“Exclusive: Follow the Bacon: 12 Year Old Monster Pig Hunter Faces Possible Animal Cruelty Charges in Alabama” ESPNOutdoors.com (January 29, 2008)  <http://www.stinkyjournalism.org/latest-journalism-news-updates-123.php>

White paper: Appeal to the Office of the Controller of Currency (OCC): Complaint Regarding Sterling National Bank’s Pattern of Improper Revenue Recognition and Other Irregularities   (June 5, 2006) <http://www.lesseerights.org/White_Paper_07_17.pdf>

Norvergence and it’s Lending Partner,the Leasing Industry: The Suspect Practice of Lease Flipping Goes Belly-Up (April 19, 2005)

“ELA’s Recent Decision to Censor Norvergence Report at ELA Conference: and Other Troubling Implications Upon the Leasing Industry resulting from the Norvergence Scandal.” (March 23, 2005) <http://www.asrlab.org/temp/ELA_decision.pdf>

The Role of Leasing Companies in the Norvergence Fraud.” Report Prepared for Equipment Leasing Association:: The Fourth Annual Investors' Conference on Equipment Leasing Finance and Securitization. March 10, 2005 , Marriott Marquis, New York City. < http://www.asrlab.org/temp/ELA_Report.pdf>

“Rethinking Images and Metaphors: New Geometries as Key to Artistic and Scientific Revolutions.” In The Languages of The Brain, edited by A. M. Galaburda, S. M. Kosslyn, and Y. Christen. 347-362. Cambridge, MA: Harvard University Press, 2002.

“Introduction: WTC Living History Group's Research Project and Methods.” WTC Living History Project: Protest of Factual Errors in William Langewiesche's book, American Ground and equivalent articles in Atlantic Monthly magazine

“Langewiesche's WTC Looting Charges: Fact-Checked.” WTC Living History Project: Protest of Factual Errors in William Langewiesche's book, American Ground and equivalent articles in Atlantic Monthly magazine

“Plagiarism in American Ground: Langewiesche fails to cite Wall Street Journal and LA Times journalists' exclusive interviews...” WTC Living History Project: Protest of Factual Errors in William Langewiesche's book, American Ground and equivalent articles inAtlantic Monthly magazine

With Deputy Assistant Chief - Ronald R. Spadafora, FDNY ; Nick Carcich, Construction; Charlie Vitchers, Construction; Captain - Mike Banker, FDNY; Peter L. Gorman, President of Uniform Fire Officers Association; John Dunne, Captain's Representative Uniform Fire Officers Association; Bobbie Gray, Locals 14 and 15 (Operating Engineers). “Response to American Ground: Unbuilding the World Trade Center by William Langewiesche.” Parts 1-3, WTC Living History Project

“Examining Evidence: Did Duchamp simply use a photograph of "tossed cubes" to create his 1925 Chess Poster?” Tout-Fait:  The Marcel Duchamp Studies Online Journal 2, no. 4 (January 2002):  Multimedia.

“Marcel Duchamp:  A Readymade Case For Collecting Objects Of Our Cultural Heritage Along With Works of Art.”  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 3 (December 2000):  Collections.

“Why The Hatrack Is And Is Not Readymade:  With Interactive Software, Animation, And Videos For Readers To Explore.”  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 3 (December 2000):  Multimedia

With Stephen Jay Gould.  “Drawing The Maxim From The Minim:  The Unrecognized Source Of Niceron’s Influence Upon Duchamp (with animation).”  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 3 (December 2000):  News.

With Thomas Girst.  “From Blues to Haikus: An Interview With Charles Henri Ford.”  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 2 (May 2000):  Interviews.

A Reply To “Duchamp’s Veiled Intentions Regarding Draft Pistons Gauze” by Glenn Harvey.  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 2 (May 2000): Letters.

A Reply To “What Makes The Bicycle Wheel A Readymade?” by Yassine Ghalem.  Tout-Fait:  The Marcel Duchamp Studies Online Journal 1, no. 2 (May 2000):  Letters

“Response To Letters by Francis M. Naumann, Tony Robbin, James W. McManus, William A. Camfield and Linda Dalrymple Henderson.”   Art in America 88, no. 4 (April 2000).

With Stephen Jay Gould.  “Letter To The Editor:  Duchamp’s L.H.O.O.Q. -- From 1919 or 1930?”  Science Magazine 287, no. 5450 (7 January 2000): 41.

“Review Of Duchamp In Context:  Science And Technology In The Large Glass And Related Works, by Linda Dalrymple Henderson.”  Art in America 88, no. 1 (January 2000).

With Stephen Jay Gould.  “The Green Box Stripped Bare: Marcel Duchamp’s 1934 ‘Facsimiles’ Yield Surprises.”  Tout-Fait: The Marcel Duchamp Studies Online Journal 1, no. 1 (December 1999): News.

With Stephen Jay Gould.  “Hidden In Plain Sight:  Duchamp’s 3 Standard Stoppages, More Truly A ‘Stoppage’ (An Invisible Mending) Than We Ever Realized.”  Tout-Fait: The Marcel Duchamp Studies Online Journal 1, no. 1 (December 1999): News.

With Thomas Girst.  “‘Paris Air’ or ‘Holy Ampule’?”  Tout-Fait: The Marcel Duchamp Studies Online Journal 1, no. 1 (December 1999): Articles.

With Jung-hee Choi and Gregory Alvarez.  “The 1913 ‘Armory Show’ Comes ALIVE!”  Tout-Fait: The Marcel Duchamp Studies Online Journal 1, no. 1 (December 1999): Animation.

With Stephen Jay Gould.  Boats And Deckchairs.  Natural History Magazine 108, no. 10 (December 1999).

With Stephen Jay Gould. Of Two Minds And One Nature, Science Magazine 286, no. 5442 (5 November 1999): 1093-1094. 

“Why Is The Marcel Duchamp Bicycle Wheel Shaking?” artscienceresearchlab.org website (1998).

“Marcel Duchamp’s Impossible Bed And Other ‘Not’ Readymade Objects:  A Possible Route Of Influence From Art To Science - Part II.” Art &Academe 10, no. 2 (Fall 1998).

“Marcel Duchamp’s Impossible Bed And Other ‘Not’ Readymade Objects: A Possible Route Of  Influence From Art To Science - Part I.” Art & Academe 10, no. 1 (Fall 1997).

“Letter Exchange.” With Francis M. Naumann. The Sciences 37, no. 5(September-October 1997).

"Coffee Mates: An Artist And A Mathematician Share A ‘Ready-Made’ Brew.” The Sciences 37, no. 2 (March-April 1997).

Review Of Ecofeminism And The Sacred by Carol J. Adams, ed.; Women, The Environment And Sustainable Development:  Towards A Theoretical Synthesis by Rosi Braidotti Ewa Charkiewicz, Sabine Hausler and Saskia Wieringa; Ecofeminism: Women, Animals, Nature by Greta Gaard, ed.; and Ecofeminism by Maria Mies and Vandana Shiva.  Signs, Journal Of Women In Culture & Society 22, no.2 (Winter 1997).

“From Flatland To Fractaland: New Geometries In Relationship To Artistic And Scientific Revolutions.”  In Fractal Geometry and Analysis, The Mandelbrot Festschrift, edited by C. J. G. Evertsz, H. O. Peitgen and  R. F. Voss. World Scientific Publishers, July 1996.

“Real Or Ideal?  DNA Iconography In A New Fractal Era.” College Art Association Art Journal 55, no. 1 (Spring 1996).   

“From Flatland To Fractaland: New Geometries In Relationship To Artistic And Scientific Revolutions.”  Proceedings of Mandelbrot's 70th Birthday Symposium in Curaçao. Fractals 3, no. 3 (1995).

“Caution: Fractal Technology No Longer Allows You To Identify Visually The Difference Between Abstract And Real.” Artist’s Statement, Blast 4: Bioinformatica. The X-Art Foundation, 1994.

“Confessions Of A Math Anxious Artist.”  Foreword in Chaos Under Control: The Art And Science Of Complexity, David Peak and Michael Frame, IX-X. New York: W.H. Freeman Press, 1994.

“Are We Afraid Of Plants? Exploring Patriarchal Society's Devaluing Of Plants, Women And Nature.”  Chap. 3 in People-Plant Relationships: Setting Research Priorities, edited by Joel Flagler and Raymond P. Poincelot, 33-59. Binghamton, N.Y.: The Haworth Press, Inc., 1994.

“Are We Afraid Of Plants?  Exploring Patriarchal Society's Devaluing Of Plants, Women And Nature.”Journal of Home and Consumer Horticulture 1, no. 2/3 (1994): 33-59.

“The Future Cult Of S & M (Science & Mathematics).”At The Crossroads, no. 3 (September 1993): 25-28.

“The Future Cult Of S & M (Science & Mathematics), Part II.” Blast 3 (Summer 1993).

“Beyond Romanticism: The Significance Of Plants As Form In The History Of Art.”  In The Role Of Horticulture In Human Well-Being And Social Development: A National Symposium, edited by Diane Relf, 216-19.  Portland, Ore.: Timber Press, 1992.

“Chaos Theory And Fractal Geometry: Their Potential Impact On The Future Of Art.” Leonardo25, no. 2 (March 1992): 143-152.

“Chaos Theory And Fractal Geometry: Their Potential Impact On The Future Of Art.”In “Fractals, Chaos Theory And Patterns In Nature,” Leonardo Theme Pack No. 18 (1992): 143-52.

“Rethinking Art.”YLEM Newsletter 11, no. 10 (November 1991): 1-3.
“Art Against Nature? What We Learn From Christo.” Transformer 11, newsletter of International Friends of Transformative Art (Fall 1991): 3-5.

“The Dynamics Of Plant Growth: New Exploration In Contemporary Sculpture.”  Abstract in the International Society for Ecological Psychology Newsletter 5, no. 1 (July 1991): 1-2.

 

SELECTED PUBLICATIONS FEATURING SHEARER OR SHEARER'S WORK

Dirk Smillie. “Fresh Legal Jab At 'The New Yorker'.” Forbes.com (October 19, 2009) <http://www.forbes.com/2009/10/18/papua-jared-diamond-business-media-new-yorker.html>

Craig Silverman, “New Yorker Under Siege.” Columbia Journalism Review (May 22, 2009)  <http://www.cjr.org/regret_the_error/new_yorker_under_siege.php>

Michael Balter. “‘Vengeance’ Bites Back At Jared Diamond.” Science Magazine (May 15, 2009) <http://www.sciencemag.org/cgi/content/summary/324/5929/872>

David Glenn.  “Research Subjects Sue Jared Diamond, the Author and Professor, for $10-Million.” The Chronicle of Higher Education (April 24, 2009)  <http://chronicle.com/article/Research-Subjects-Sue-Jared/47208>

Dirk Smillie. “New Guinea Tribesmen Sue The 'New Yorker'.” Forbes.com (April 21, 2009)  <http://www.forbes.com/2009/04/21/new-yorker-jared-diamond-business-media-new-yorker.html?feed=rss_business>

Phil Mushnick.  “Gumbel’s Infomercial Scam Raises Stink.” New York Post (April 19, 2009)

Lizzie Widdicombe.  “A Firefighter’s Theorem.”  New Yorker (November 12, 2007)

ID cards to limit disaster workers.” The Washington Times (September 2, 2007)

Hadley Robinson.  “Taking Aim at a Giant Hog.” Gelf Magazine (June 12, 2007)

Susan Edelman. “New Chapter: Writer Ready to Laugh Again.” New York Post (September 11, 2005): News.

Bill Hutchinson, "Recall on masks used at WTC Site." Daily News (August 4, 2005).

Lou Young. "New Safety Scare for Ground Zero Workers." CBS (August 3, 2005).

Maria Szalavitz. “What Works.” Stanford Social Innovation Review (Summer 2005)

Greg Saitz.  “Art Scholar’s Critical Eye Focuses on Norvergence.”  Star-Ledger (April 27, 2005)

Dirk Smillie. "Eliot Spitzer, Meet Rhonda Shearer." Forbes (April 2, 2005).

"Research Firm Brings 'Outside' Perspective to NorVergence Case." Monitor Daily (March 28, 2005): In The News Today.

Eliot Spitzer, Meet Rhonda Shearer." ELA Online (Equipment Leasing Association). March 25, 2005.

Robert S. Boynton, The New New Journalism: Conversations With America’s Best Non Fiction Writers On Their Craft.  Vintage Books, New York, NY 2005. pp. 208-209

Lisa Zeitz. "A Collector with a Mission: Rhonda Shearer's Mathematical Passion for Marcel Duchamp." <http://www.collectorsworld.org/topics/collections/item?item_id=4594>, date unknown.

Carl M. Anderson. "Spontaneous Fractal Behavior from Ion Channels to the Internet:A Bridge from Molecules to Minds." <http://remfractal.mclean.org/intro.html>, date unknown.

"Marcel Duchamp, Die Schweriner Sammlung." Staatliches Museum Schwerin, 2003

Michael Tomasky. "Battleground Zero." The New York Review of Books 50, No. 7 (May 1, 2003).

David Carr. "Rebutting a Book's Claim of Tarnished Valor." The New York Times (March 23, 2003): New York Region.

Robert F. Worth. "Online Library Wants It All, Every Book." The New York Times (March 1, 2003): Arts.

Chaka Ferguson. "Firefighters Want Ground Zero Book Canned." Newsday (February 25, 2003): Local News.

"Ground Zero Book Provokes Outrage." CNN.com (February 6, 2003).

"Firefighters Infuriated by Ground Zero Book." ChannelOneNews ( February 6, 2003).

Deepti Hajela. "Firefighters Protest Ground Zero Book." Newsday (February 5, 2003): News.

David Mehegan. "Book's Depiction of Ground Zero Firefighters Sparks Outrage." Chicago Tribune (January 29, 2003): Features.

David Mehegan. "WTC book sparks outrage over portrayal of firefighters." Houston Chronicle (January 23, 2003): News.

Steve Ritea. "Ground for Contention." American Journalism Review (January/February, 2003): Article.

Eric Katerman. “The Mathematics Behind Duchamp” Williams College, Williamstown, MA (December 15, 2002)

"Web Engenders Fact-Checking." The Ifra Trend Report (December 11, 2002).

"Le web incite à la vérification des faits." Newsplex.com (December 2002).

Staci D. Kramer. "Multiple Layers of Reality." Online Journalism Review (December 03, 2002).

Bob Hoover. "Protests don't Diminish Achievement." Post-Gazette, Pittsburgh (December 01, 2002): Books.

"Words Worth Hearing." The Harvard Crimson (November 27, 2002).

Michael Daly. "WTC Heroes, Ugly Rumors & The Truth." NY Daily News (November 24, 2002).

Mike Kelly. "The Firefighters and the Writer." Bergan Record (November 24, 2002).

J. Michael Kennedy. "A firestorm over hallowed ground: Writer's account of the cleanup of the World Trade Center and his implications about firefighters, others are a source of outrage." LA Times (November 19, 2002).

Joe Hagan. "Gould's Wife Takes On Atlantic Scribe." The New York Observer (October 21, 2002, Monday): Arts & Entertainment.

Timothy Noah. "Lay Off Langewiesche: Chatterbox defends the best thing yet written about 9/11." Slate.msn.com (October 17, 2002, Thursday).

Von Readymades und "Asstricks," Forschungsergebnisse des Art Science Research Laboratory zu drei Werken Marcel Duchamp. Stattliches Museum Schwerin, July 3, 2002

"Stolperfallen um manipulierte Flaschentrockner. Duchamp-Symposium Im Museum Jean Tinguely: Über Die Reinheit Der Ready-Mades Und Fehlende Brüche Mit Der Tradition." Baselr Zeitung Online (18 June 2002).

Adrian Dannatt.  "Free art--as in unpaid: A combination of the economic slowdown and 9/11 has prompted artists to show anywhere and often for little or no money." The Art Newspaper 124 (April 2002).

Lars Reichardt.  "Duchamps teuflischer Plan: Die New Yorker Künstlerin Rhonda Roland Shearer beweist: Der Kunsterneuerer hat an seinen Readymades herumgefingert." Kultur (March 17, 2002).

An Artist's Work Speeds Recovery Efforts.” Robert Wood Johnson Foundation, Advances (2002)
Robert F. Worth.  "Uphill Fight for a Downtown Volunteer: Artist gets Thanks at Ground Zero, but not from the City." New York Times (February 11, 2002).

"Amid the debris, emotion." St. Petersburg Times (February 4, 2002): World and Nation.

"Tools for Emergency Relief." worldcare.org (September 11, 2001). Thomas Zaunschirm.  Sphingen, Bunte Kuehe und eine Ente. Klartext: Essen, 2001, pp. 169-174, 261, 271, 277

Monika Wagner.  Das Material der Kunst: Eine andere Geschichte der Moderne.Munich: C.H. Beck, 2001, p. 305.
   
Lars Reichardt.  “Aus Dem Häuschen.”  Süddeutsche Zeitung Magazin 4 (26 January 2001):  12-17, 6 images.

Theo Ruff.  “Marcel Duchamp - Der Lachende Dritte.”  Basler Magazin 49 (9 December 2000):  12-14, 3 images.

Daniel Berchenko.  “Ceci N’est Pas Un Readymade.”  Linguafranca (September 2000):11-14.

Thomas Girst.  “The Importance Of Being Duchamp.”  Very 8 (Fall 2000):  32-33, 3 images.

Barry Schwabsky.  “Fait Accompli.” Artforum (April 2000):  54.

George Fifield.  “Duchamp And Science.”  Art New England 21, no. 2, (February-March 2000):  7-8.

Lewis Wolpert.  “Arts Vs Science:  The Critical Difference.” The Independent (25 February 2000).

A New York Times Selected Site. The New York Times (10 February 2000):  G3.

Barbara Foerster.  “Duchamp Der Bessere Mathematiker?”  Kunstforum International 149 (January-March 2000):  448-49.

Ivars Peterson.  “An Artist’s Timely Riddles: Deploying Scientific Methods To Understand A Dada Artist’s Provocative Creations.” Science News 157, no. 1, (1 January 2000):  8-10.

Jean Clair.  Sur Marcel Duchamp Et La Fin De L’Art, 23.  Paris:  Editions Gallimard, 2000.

Barry Cipra.  “Duchamp And Poincaré Renew An Old Acquaintance.” Science 286 (26 November 1999):  1668-69.

Thomas Zaunschirm.  “Späte Grüsse Von Marcel Duchamp.” Neue Zürcher Zeitung 271 (November 1999):  77.

Silke Müller.  “Hat Marcel Duchamp Seine Ready-Mades Manipuliert?: Umstrittene Theorien Sorgen Für Streit.” ART-Das Kunstmagazin (November 1999):  207-8.

Amanda Fortini.  “The 25 Smartest Women In America.”  Mirabella (September 1999):  121.
        
Maggie Paley.  The Book Of The Penis, 62.  New York: Grove Press, 1999..

Thomas Deecke.  Originale Echt Falsch.  Exhibition Catalogue (in English and German), 34-36..  Bremen: Neves Museum Weserburg, 1999...

“The Mystery Of Duchamp’s Readymade: A New Discovery By Shearer, Art Science

Research Laboratory In New York.” Artist Magazine, Taiwan, no.  290 (July 1999):  376-81.

Claudia Steinberg.  “Beim Barte Der Mona Lisa.” Kunstzeitung 34 (June 1999):  1.

Thomas Girst.  “Intrusion In The Enchanter’s Domain.” NY Arts 3, no. 4 (April 1999):  49.

AP Wire/Paris.  “He Who Laughs Last?”  International Herald Tribune (26 March 1999).

AP Wire/Toronto.  “A Self-Made Man.”  National Post (23 March 1999).

Sarah Boxer.  “Taking Jokes By Duchamp To Another Level Of Art.”  New York Times (20 March 1999).

Lawrence Weschler.  “The Cultural Unconscious.” Slate - Culturebox (12 March 1999).

Marco de Martino.  “Monna Lisa: Cosi Duchamp Ha Beffato Il Mondo.” Panorama, no. 5 (4 February 1999):  106-9.

Leslie Camhi.  “Did Duchamp Deceive Us?” Art News 98, no. 2 (February 1999):  98-102.

Barry A. Cipra.  “Did Poincarè Point The Way To 20th Century Art?” SIAM News 30, no. 5 (June 1997):  8.

Jennifer Kopf.  “Bold Or Fractured, Images From Women’s Selves.” Intelligencer Journal, Lancaster, Penn. (7 March 1997).

“Pangea.”  Mathematics Teacher 89, no. 9 (December 1996):  front cover.

William Zimmer.  “Honoring Women As Keepers Of The Home.”  The New York Times (10 October 1996).

“Science Lecture Series Offers Interdisciplinary Approach.” In Print, Sarah Lawrence College, no. 2 (12 April 1996).

Michael J. Fressola.  “Beyond Gender At The Newhouse.” Staten Island Advance (29 December 1995).

Michael J. Fressola.  “Beyond Gender Exhibit Focuses On Wider Issues.” Staten Island Advance (27 October 1995).

“The 5 Platonic Solids.”  Mathematics Teacher 88, no. 6 (September 1995):  front cover.

Holland Cotter.  “Sculpture Not Meant To Last Forever.” The New York Times (18 August 1995).

Jan Avgikos.  “Gris-Gris Goddess Ya Ya, The Movement That Time Forgot.” The Village Voice (18 August 1995).

Michael J. Fressola.  “Women’s Work.” Staten Island Advance (7 July 1995).

Allison Keating, “Sculpture exhibit emphasizes female domestic role.” The Daily Beacon 67, no. 39 (October 18, 1994): 8.

Doug Mason.  “Negatives Accentuate Positives In Female Sculptures.” The Knoxville News-Sentinal, Knoxville, Tenn. (11 September 1994).

Chris Barrett.  “Hard Labor: Sculptor Shearer Is A Champion Of Chores.” Metro Pulse, Knoxville, Tenn. (9-23 September 1994).

Caroline Madden.  Kalliope (September 1994).

“Chaos Und Ordnung #1.”  International Derivative Review (September 1994):  front cover.
“A Woman's Work Is Never Done.”  Canvas, Knoxville Museum of Art Newsletter (July-August 1994).

“Gibbes Offers Three Exhibitions For Spoleto.”  Charleston Arts (May-June 1994).

Blake A. Sampson.  “Echoes Of The Past, Reflections Of The Moment, Future Reverberations.” The 1994 Spoleto Festival U.S.A. Souvenir Program, Charleston, S.C. (May 1994).

Robert Ishi.  “AAAS National Meeting.” YLEM Newsletter 14, no. 10 (April 1994).

Sally Ann Freeman.  “Woman's Work.” Scandal Sheet Magazine, Jacksonville, Fla. (March 1994).

Cynthia Parks.  “Celebrating Artistic Cries Of Expression.” The Florida Times-Union,

Jacksonville, Fla. (27 February 1994).

Marco de Martino.  “Euclide Da Vinci.” Panorama, no. 7 (18 February 1994):  52-155.

Cynthia Parks.  “Big Women In Bronze: Sculptor's Statues Give Dignity To Traditional
Tasks.”

The Florida Times-Union, Jacksonville, Fla. (13 February 1994).

Patricia Malarcher.  “A Dialog Between Art And Math.” Surface Design Journal 18, no. 2 (Winter 1994).

David Peak and Michael Frame.  Chaos Under Control: The Art And Science Of Complexity, 373-74.  New York: W.H. Freeman Press, 1994.

“The 5 Platonic Solids.”  What's Happening in the Mathematical Sciences 2, (1994):  back cover.

“Outdoor Women's Work.”  Folio Weekly,Jacksonville, Fla. (28 December 1993).

“Science And Technology: Holding A New Mirror To Nature.” The Economist (6-12 November 1993):  113-14.

Susan Jurgelski.  “Jailhouse Art: Located In The Former Bucks County Prison, The James A. Michener Art Museum Recognizes Prolific Author, Regional Artists.” New Era, Lancaster, Penn. (4 November 1993).

Jody Kolodzey.  “... But A Woman's Work Is Never Done (Especially On Canvas).” Seven Arts, Philadelphia, Penn. (November 1993).

“Member News.”  Movements: Art and Science Collaborations2, no. 3 (Fall 1993).

Victoria Donohue.  “Aspects Of Female Experience Expressed In Show At Michener.” Philadelphia Inquirer (10 October 1993).

“9-Foot Tall Monuments Of Women Doing Housework?  Ask Yourself Why?” Parent's Guide, Delaware Valley (October 1993).

“Tvaerfaglige Kunstnere Har Et Godt Oje Til Matematik.” Coast, The Technical University of Denmark (October 1993).

“‘Mopping’ At Museum.”Doylestown Patriot, Doylestown, Penn. (23 September 1993).

“Monumental Sculptures Celebrate ‘Woman’s Work.’” The Advance of Bucks County,Newtown, Penn. (9 September 1993).

'Woman’s Work’ Exhibition Opens At Michener Museum.” The Daily Record, Coatsville, Penn. (7 September 1993).

Pamela Rohland.  “Chores Are Swept Into Art.” Reading Times/Eagle, Reading, Penn. (6 September 1993).

Lysbeth Bledsoe.  “Women In Labor.” Bucks County Courier-Times, Levittown, Penn. (3 September  1993).

“Sculpture Exhibit Spotlights Women's Work.”  The Intelligencer, Doylestown, Penn. (2 September 1993).

“Monumental Sculptures Celebrate ‘Woman’s Work.’”  The Doylestown Patriot,Doylestown, Penn. (2 September 1993).

“Woman’s Work’ Exhibited At Michener Museum.”  Free Press, Quakertown, Penn. (31 August 1993).

“Women In Art.”  First For Women (30 August 1993):  10.

“Huge Sculptures Reflect View Of ‘Woman’s Work.’”  Bucks County Tribune, Feasterville, Penn. (25 August 1993).

Leslie Camhi. “Statuesque.”  The Village Voice (24 August 1993).

Susan Chappell.  “Domestic Devotion.” Nashville Banner (7 July 1993).

Lynnéa Y. Stephen.  “Artswatch.”  MS IV, no. 1 (July-August 1993).

Hiroko Tanaka.  “Why Housekeeping And Childcare Are Women’s Work And Are Looked Down? Casting Doubts Through Sculptures ‘Women’s Work.’” Hi Fashion, Tokyo (July 1993):  148-49.

AP Wire/Bridgeport, Conn.  “Hey, George: How About Some Housework?” Connecticut Post (1 June 1993).

AP Wire/Stamford, Conn. Art Business News (June 1993).

AP Wire/Augusta, Maine.  “The Art And Heroism Of Housework.” Kennebec Journal (16 May 1993)
.
AP Wire/Chicago, IL.  “Sculpture A Realistic View Of ‘Women’s Work.’” Herald-Arlington Heights (16 May 1993).

AP Wire/Wailuku, Hawaii.  “Artist Builds Testament To Everyday Housewife.” Maui News (15 May 1993).

AP Wire/Waterloo, Iowa.  “Exhibition Salutes Housework Heroines.” Courier (13 May 1993).

AP Wire/Geneva, N.Y.  “Artist Takes Heroic Look At Housework.” Finger Lakes Times (11 May 1993).

AP Wire/Lawrence, Kansas.  “Domestic Dignity: Artist Molds Monuments To Housework.” Journal-World (9 May 1993).

AP Wire/Newport, R.I.  “Women’s Work: Artist Constructs Monuments To Real Women In ‘Everyday Life.’” News (8 May 1993).

AP Wire/Indianapolis, IA.  “Unsung Heroism Of Housework.” News (8 May 1993).

AP Wire/Panama City, Fla.  “Union Square Hosts Housework Art.” News-Herald (7 May 1993).

AP Wire/Reading, Mass.  “Hey, George Washington: How About Housework?” Times Chronicle (6 May 1993).

AP Wire/Uniontown, Penn.  “Move Over, George: Unsung Heroes Of Housework Commemorated.” Herald Standard (6 May 1993).

AP Wire/Jackson, Mich.  “Art In Union Square Portrays Unsung Heroism Of Housework.” Citizen Patriot (5 May 1993).

AP Wire/Wilkes-Barre, Penn.  “Honoring Unsung Heroism: Housework.” Citizens' Voice (3 May 1993).

AP Wire/Elgin, Ill.  “House Chores Immortalized By A Sculptor.